In the book of The Great Learning, the Confucian sage, Zhu Xi, brings together three discoveries of principles which form the essential actions of the creative process of the human mind. These three principles are the Principle of 氣 Qi (Power), the Principle of 理 Li (Reason), and the Principle of 太極 Taiji (Ultimate End). The congruence of these three principles works like the principle of the Peace of Westphalia.
When these three principles are brought together congruently, among three different minds of completely different cultures, they confirm the nature of Lyndon LaRouche’s anti-entropic principle of increase-in-energy-flux-density; otherwise the relationship is entropic.
This report shows how such a discovery is expressed in Chinese artistic composition through a unique curvature of laughter which takes the characteristic of an isochronic surface of negative curvature; that is to say, a surface whose curvature admits of different rates of change to come together in the simultaneity of eternity.
THE CHINESE UNITY OF QI, LI, AND TAIJI IN THE SIMULTANEITY OF ETERNITY
