1. BRUNELLESCHI’S MIND AND THE CATENARY PRINCIPLE
2. LEONARDO DA VINCI, THE LAST SUPPER,
3. LEONARDO DA VINCI, THE VIRGIN OF THE ROCKS
4. OSCULATION BY INVERSION OF TANGENTS
5. RAPHAEL SANZIO, THE SCHOOL OF ATHENS AND THE DISPUTE, PART I
6. RAPHAEL SANZIO, THE SCHOOL OF ATHENS AND THE DISPUTE, PART II
7. RAPHAEL, THE CATENARY-TRACTRIX PRINCIPLE OF THE TRANSFIGURATION
8. PIERO DELLA FRANCESCA, THE RESURRECTION
9. ANDREA DI BONAIUTO, THOMAS AQUINAS, AND THE UNITY OF OPPOSITES
10. FRA ANGELICO, JOAN OF ARC, AND SAINT IRENAEUS
11. FRA ANGELICO’S ANNUNCIATION, THE MOST SUBLIME PARADOX IN ALL OF ART HISTORY
12. ‘SALVATOR MUNDI’ : A REAL FAKE LEONARDO
13. THE ALBA MADONNA: RAPHAEL’S SPHERICAL METHOD OF DESIGN
14. RAPHAEL’S ‘DISPUTE OF THE HOLY SACRAMENT’ AND THE ANOMALY OF POPE INNOCENT III
15. LEONARDO DA VINCI’S 500TH ANNIVERSARY 1519-2019
16. RAPHAEL AND LEONARDO PUZZLES DEMONSTRATING HOW A PARADIGM SHIFT OPERATES
17. LEONARDO LEAPFROGGING BETWEEN IDEAS AND SENSE PERCEPTIONS
18. RAPHAEL’S ‘TRANSFIGURATION’: HOW TO TRANSFORM THE TRAGIC INTO THE SUBLIME
19. LEONARDO LEAPFROGGING BETWEEN IDEAS AND SENSE PERCEPTIONS
20.RAPHAEL’S ‘TRANSFIGURATION’,HOW TO TRANSFORM THE TRAGIC INTO THE SUBLIME
21. RAPHAEL’S CONSTRUCTION OF THE COINCIDENCE OF OPPOSITES IN ‘THE SCHOOL OF ATHENS’
24.LEONARDO_AND_RAPHAEL_A_PEDAGOGICAL_ON_LINEAR_PERSPECTIVE_AND_THE_GOLDEN_SECTION_OF_DIVINE_PROPORTION
