LEIBNIZ’S MONADOLOGY AS A PERFORMATIVE CREATIVE PROCESS

Lyndon LaRouche has many times demonstrated Leibniz’s insight that science is not a mere “description of our experience of nature,” but an active application of the cognitive power of the human mind to change the universe and, in doing so, distinguishes itself from the mind of an animal. Such a resourcefulness of power is located in a unique form of practice which distinguishes man from the beast as truth is distinct from opinion.

This raises two questions: how is that distinction expressed in Leibniz’s Monadology and what is the nature of the performative creative process that gives it its dynamic power to change?

This report is an attempt to answer both of these questions by showing how to use this process for solving axiomatic moments of crisis in the history of mankind.

LEIBNIZ’S MONADOLOGY AS A PERFORMATIVE CREATIVE PROCESS

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