A RIEMANNIAN LYDIAN MANIFOLD AND THE PRINCIPLE OF AXIOMATIC CHANGE IN MUSICAL COMPOSITION

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The Riemannian Lydian Manifold of Figure 1 is a quadratic geometrical figure representing a musical Lydian configuration of seven notes, which, when played in the following succession, G, B, D, F, D, B, D …, makes your mind hear the coming of a new series of different notes from the future. Such new notes could not come into existence otherwise than through the joyous closure of the Good.

WHY INFERENTIAL KNOWLEDGE IS SUPERIOR TO MATHEMATICS AND ARTIFICIAL INTELLIGENCE (AI)

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What mathematicians need to discover requires three different steps 1) the human mind must deal with sense perception as a phenomenon of Plato’s Cave, 2) the human mind must change the sense perception concept of time as moving from past to present to from the future to the present, and 3) the human mind must discover the relationship between the speed of light, C, and the simultaneity of temporal eternity. The difficulty, here is that most physicists have forgotten to include the essential epistemological role of the human mind in their equations.

 

ZHANG WEIWEI’S PRINCIPLE OF A CIVILIZATIONAL STATE

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Each individual human being has the power to solve the paradox of the One and the Many by becoming a true universal human being; however, few people discover that such a possibility reflects a coordinating effort between the governing principle of the heavens as the Many, and the governing principle of mankind as the unifying One.

The Epsilon Principle: An Internal Call for the Exoneration of Lyndon LaRouche on this Nelson Mandela International Day

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The epsilon principle does not represent a new practical idea to be made available on the consumer’s market of today, nor is it an academic issue; the epsilon principle represents a call to a higher domain of human communication, which requires a fivefold mental process of spiritual understanding among human beings for the benefit of humanity as a whole.

INVESTIGATING LOUIS PASTEUR’S DISSYMMETRY (CHIRALITY) PRINCIPLE

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My hypothesis of the higher hypothesis for Pasteur’s concept of dissymmetry is that there are three fundamental forms of human knowledge (music, geometry, and arithmetic), which are fundamentally determined by triply-connected dissymmetrical forms of time-reversal chirality.